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At it's most basic level, Song Of Salome is a ritual in film. It's an invocation - - calling forth the limitless nurturing power of the sacred feminine into our desperately needy world.
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In the 1940's the barren sands of the Middle East relinquished two long lost treasures - - two seperate discoveries of ancient Gnostic manuscripts that rocked our modern world.
Through the texts of The Dead Sea Scrolls, and the Nag Hamadi Manuscripts, we have been introduced not only to the wisdom of First Century women writers, but also to a different picture of god - - a face divinely feminine.
In her book, The Gnostic Gospels, Dr. Elaine Pagels writes: Another text, mysteriously entitled Thunder, Perfect Mind, offers an extraordinary poem spoken in the voice of a feminine divine power.
Among the long-forgotten manuscripts of Nag Hamadi and the Dead Sea Scrolls are fragmentary accounts of a condemned sacred dancer imprisoned in a timeless and inescapable "cosmic cycle."
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Fear reigns that Miles Copeland will change the face of the belly dance world for the worst. Maybe he will force all women to believe that they need to be 100lbs. and 25 years old to belly dance. Maybe he is money hungry and doesn't really care about the girls as long as they are youthful and beautiful and making a good buck for him. I have had all of these fears."
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(Miles Copeland and "Belly Dance Super Stars" at bookstore performance.)
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"I have also feared," she continues, " that I am the only one really talking about this...that other dancers and teachers across the nation are still biting their tongues so they won't get on the 'bad side' of Miles Copeland."
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In UNCHAINED! the Gypsy dancer Monique Monet faces these wimpy fears head-on:
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Read UNCHAINED now! The truth will set you free!
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".. . . we in the West are taking Middle Eastern Dance in many new and exciting directions."
Monique Monet
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"We've arrived at a time when the true dancer, inspired by cosmic energy, has no choice but to move out of the doldrums of inhibiting tradition and into the racing current that is living contemporary dance."
Monique Monet
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Published in Zaghareet Magazine
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"Of course there are many of Romi background who are rock-solid members of mainstream society. But also there are, even today, tightly knit clans of Gypsies who continue to live by their own ancient rules."
Monique Monet
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"I believe that dance is art; and therefore dance expression should not be inhibited by any type of societal constraint."
Monique Monet
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The dance is dead!"Fifi Abdou said.
"The dance of Fifi Abdou isn't dead - - quite the opposite, it has been immortalized within the coiled film of a video cassette. The future of dance is video - - and I, for one am glad."
Monique Monet
(to read more click here)
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Dear Monique,
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I just wanted to tell you how much I enjoyed reading your "Nobody's Puppet" article in Jareeda. Right On!
Best Regards,
Charmaine (of Shamani Enterprises)
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". . . . maybe she can't stop him from acting like a musical bully, but she is obligated, in honor of the dance, not to allow herself to be made a puppet-like fool."
from Nobody's Puppet! By Monique Monet
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to read more click here
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As he raised his sword and instructed his troops to, "ready your rifles - - take aim. . . ." Mata Hari smiled and blew a kiss to her firing squad.
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